Showing posts with label Dave Eggers. Show all posts
Showing posts with label Dave Eggers. Show all posts

Tuesday, 20 June 2017

Media in our Mess "Age": The Circle by Dave Eggers

I often wonder when the perils of social media are discussed there is an almost exclusive focus on cyber-bullying and trolling.  Sure, it is horrible behaviour and the facilitation of aggressive, abusive , discriminatory language can never be tolerated.  Ultimately though it is not a new crime - social media had just made being nasty or a bully easier to communicate but it is literally just that a medium for hate speech.  Twitter, Facebook and the rest though are doing something more insidious to our society though.  Arguably these phenomena are what is novel about social media or the Internet 2.0 as I believe it was labelled in another age (or in realtime about 16 years ago).

Dave Eggers' funny, prescient and genuinely scary novel The Circle nails it in a way which I think raises the book from the rest of his catalogue and indeed most modern American fiction of the last 20 years.

The vehicle for this study is Mae.  A young graduate - and like really young - post millennial almost in her mid twenties she nets a job at Internet giant company via her college pal.

The Circle is the name of this cyberworld behemoth and it is really an amalgam of Google, Apple, Yahoo and Wikipedia and so on- all the friendly faces of ruthless capitalism that have emerged in the last decade.  Eggers does manage to transcend any specific parallels though which I think Franzen struggled with when trying to lacerate Assange by proxy with the character of Wolf in his millennial novel Purity .

For the Circle is more than a workplace (in Mae's world contrasting sharply with her job in a utility company) it is a way of life.   It seeks to unify all information available on the Internet into one with the ultimate aim of "Closing the Circle".   Its base is in effect a mini-city with everything from cinemas to intimate gigs with famous singer songwriters to medical care to accommodation available,  Meaning the workforce never has to leave work.  On top of this each employee is expected to spend a large amount of their worktime engaging in Social Media - both personal and professional with their  equivalent of Twitter/Facebook - Zing.

It is here that I think Eggers really identifies the insidious nature of the current Internet.  Not only can all individuals be monitored they willingly spend hours of the day doing so.  Further that form of "interaction" becomes more important than human contact.  There is a sad scene when Mae returns to her parent's house where her ex- boyfriend Mercer where she shuns discussions with them to Zing comments to complete strangers.  It is a portent on the break of communication to come.

Such an observation may be a bit trite indeed go and sit on a bus or train or watch groups of friends at cafes or pubs the level of actual human contact will be minimal even with people that are actually "socialising".  But Eggers exposes how such developments are ideal conditions for big business.  By giving themselves over to the Circle completely there is a compliant workforce more than that they will vigorously defend their employer in the nature of a religious cult because they provide the products and software that sadly define their lives.   You get a sense of this when you walk into an Apple "Store" and many service based industries try to ape this "employee loyalty" from Weatherspoons to Pret  A Manger to Starbucks.

Thus the worker is Un-alienated.  The Circle is the ideal way of studying this as it is sort of creating a mega corporation from scratch.  If capitalism could do this across the board the Circle would be its model and in a sense there is a distant echo of benevolent  19th Century employers who provided villages and shops even medical care for their workers - as long as you remained tied to the factory,  In such a context the Human Resources department takes on a different dimension.  One of the funniest scenes involves Mae's interview after a few weeks in the job with HR which involves almost every aspect of her life.

Mae is fast-tracked through the Circle starting off in Customer Services but she does not wholly commit to the lifestyle and complete absorption which the Circle demands.  She has a number of liasions with a mysterious man she meets in the Circle complex Kalden although he is unidentifiable in this highly monitored world.  Kalden is sceptical, even resistant to the direction in which the Circle is going.

Mae's other interest significantly is kayaking and interacting directly with nature.  The scenes where she is peacefully on water trying to spot seals and fishes contrast sharply with the frenetic pace of the rest of the work,  In fact nature is a continual motif in the book.  It provides the calm in the heart of the storm.

I think Eggers may have been influenced here by the work of Marshall McLuhan.  McLuhan (memorably performing a cameo in Annie Hall) wrote in the 1950s(!) about the useless noise our new media age was creating.   In his time he was talking about the growth of TV in particular in America with its emphasis on consumerism. McLuhan died in 1980 but  now in 2017 this noise has exponentially increased as much of the Western world is almost permanently connected - in fact some employers (like the Circle) almost demand you are.  Not only is a lot of this noise pointless it also affects harmfully human development.

As a reaction against this McLuhan converted to High Catholicism and attended Mass every day.  This space for him was time for silence and contemplation against the wider world.  In our more secular age at least in the West the placing of religion in this role would be unrealistic so the wider natural world places this role.

However the Circle even tries to control this aspect of life - in quite a disturbing scene one of the founding fathers of the Circle brings a  shark along with other sea-life into the heart of the Circle.  Although the symbolism is clear and maybe a bit over the top it is a genuinely unsettling moment in the book.

Nature is also partially Mae's downfall and in a sense responsible for her complete immersion in the Circle.  After an incident whilst kayaking she becomes open to being a living experiment for the Circle. This involves part of their new technology the See Change camera which essentially is so compact and disposable it can monitor human beings anywhere and everywhere.   The main evangel for this is Bailey (another founding father and ostensibly the most benevolent a la Steve Jobs) who believes there is no such thing as privacy - that See Change provides the ultimate transparency.   In another very believable part politician after politician signs up to be filmed at all times.  Mae as a result of the hold the Circle has on her succumbs fully to this and opens up her whole life to this,

In the second part of the book Mae is almost completely assimilated she turns on her family and her ex-partner Mercer (who introduced her to kayaking) in another very disturbing scene,  Her human desire to escape the endless chatter and mindless drone of social media interaction is almost completely dissolved.   One of the brilliantly observed parts of this is the passive aggressive way in which people communicate in this format - as McLuhan said the media is the message.

Her rejection of Kalden and embracing of another young man Frances is symbolic of this.  He is very immature and his only sexual activity is almost cyber and very distant. However he is very popular in the Circle - Mae rejects the more physical and real world of Kalden,  The sex scenes are a little less icky  by being written by a 40 something guy than Franzen's equivalents in Purity and are making a clear point.

The book progresses to a fairly bleak conclusion as at one reading we could say our society is as well if we maintain our relationship with our technology.  In contrast with Mae's "ascendancy" her friend who got her the gig Annie has a startling decline - showing the limits of complete openness particularly about the past.  There is also a revelation about identity - which as the novel progresses becomes less shocking.

Eggers could be accused in other works of neglecting character to make allegorical points - his sparse prose style aids that.  For the most part I don't think this is the case indeed it becomes more appropriate as Mae loses her character as the novel progresses and the allegory really overtakes the work.  The tone suits the direction of the work

I am aware of the irony of recommending this book on a blog which I have writtten online and which I am sharing on social media but I am!  An essential read and shows the power of fiction (and quasi-science fiction) to expose reality in a way that non-fiction cannot. There is also a film due out but looking at some of the casting decisions I am not sure that it will work.  So read it - in analogue fashion as an old battered paperback,  I'll share my copy and physically hand it over,..







Thursday, 1 January 2015

A Sparse World: Dave Eggers - A Hologram for the King



Space.   Time.  Quiet.  In the West's interconnected world there is so little of all of these.  Cascading information and Big Data means we are all overpowered with everything.  Even 21st century art has fallen prey to this with the tendency to overpower the senses or shock rather than understate or imply.

Dave Eggers in some ways is a personification of this trend.  Still only in his early 40s he has poured out gallons of work - all forms of prose, establishing literary magazines, running charitable foundations.  He seems the last person that would take a breath and consider the lilies but in this remarkable novel that seems to be precisely what he is doing.

On the face of it a slight plot - a failed American executive has a (last?) shot at recapturing glory by giving a state of art presentation to the King of Saudi Arabia - as the title baldly states -to win a telecoms contract for the King's ultimate vanity project a new city in the desert - hides a novel that dissects the crisis facing the West in societal and individual terms.

What is also innovative for a 2010s work though is the prose style which echoes Hemingway in its sparse description and detatchment from the surroundings. Hemingway seemed to adopt this to illustrate emotional distance from the tumultuous events of the 20th century where most of his work was set Eggers it to illustrate the daze and confusion of his hero, a man out of time even if only by a few years.

This approach means the writing can be a bit cold but that is appropriate as the hero (rather clunkily named Alan Clay - as in man of) explicitly has shut his emotions down following the messy breakdown of his tempestuous marriage and the suicide of his neighbour. Both of these events dominate Alan's memories.

The writing style means that the surreal complex world of globalised capitalism can be explained through being understated.  The undercutting of the language with the events is also an excellent device for humour which is used throughout the book.

Clay and his much younger co -workers are left waiting in a Becketian way (Sam B's prose is also not a million miles removed from this) for the King to arrive for what seems to last an age,  To consolidate the humiliation  they are based in a tent on the fringe of the modern complex of the new age city with (horror of horrors) no wi-fi! The ennui is filled with sleep, for Alan drinking illicit moonshine and worry about death, for his younger colleagues sex and anger.

In some ways the repetition of each day and suddenly nothing happening echoes the movie Groundhog Day - yet the characters do not seem to gain any enlightenment by being held in stasis.

Alan has other worries - a lump present on his spine.  An almost constant presence in the work and thus in his mind.  It ultimately proves to be benign but it performs its task by constantly reminding him of his mortality as does his recall of the suicide and his neighbour's body after he drowned.

One criticism you could make of the work is that it perhaps is a little too allegorical - Alan in his 50s illustrating the decline of US capitalism.  He made his name and precarious fortune in sales of bicycles - a manufacturing industry - until he was wiped out by Chinese low cost manufacturing.  He is sitting  about waiting to be called by an oil rich nation playing on toys (ipads etc made by China).  There is a very funny scene of the American group being almost paralysed by the lack of wi-fi and stroking their smart phones like they were small pet animals to encourage them to connect to the net.  Ultimately and unsurprisingly the Chinese win the contract for the telecommunications as well leaving Alan to his debts and unsustainable lifestyle.  It IS obviously an allegory but I think the focus on a "successful" Western man wiped out by the credit crunch, his memories and his interaction with others lifts it from a purely period piece.

He befriends a Saudi driver who shows him the reality of life in the Kingdom. as does his wandering off the beaten track in the complex as he discovers the migrant labourers being used to  construct the King's folly of a city - which is a real thing.  This relationship does not end well - perhaps showing the distance of the US from the rest of the world. He also gets involved with two women - a Danish expat and a Saudi doctor - who remedies his lump - but proves to be quite impotent with both ; deliberately with the first and frustratingly with the latter.  Again the inability to consummate looks a little bit clunkily symbolic of modern American capitalism.

Eggers has produced a very disciplined work here - his breakthrough and brilliant memoir a Heartbreaking work of Staggering Genius overflowed with prose - he used footnotes, tiny fonts, wrote in the margin.  This does the opposite.  It has lots of space but with it discusses all the issues surrounding globalisation, personal disintegration and mortality. Although I think it slightly overdoes the allegory the characterisation and humour lifts it from that.  A great read and although it adopts an old-ish prose style it is completely on the pulse of our 2014 world.