Tuesday, 3 November 2009

The God of Small Things - amazing.


Absolutely breathtaking. Sometimes you have to just stop reading a book either because you dont want it to end or because the situation and characters are so real and moving you dont want any harm to come to them.
This was one of those books - I am only sorry I have never read this before. Ostensibly a family drama but set in a turbulent India not often written about the 60s when the Maoist movement was just beginning to take off, The writer links the "small things" of the household with the big picture of Indian society: class and caste struggle, the machinations of the Stalinist dominated CP and trade unions, the role of religion, human desire and abuse

The scenes with the twins - the fulcra for the book - are funny, well observed but ultimately almost unbearably sad. Nature and animals are a common occurrence almost a character themselves - coming to a head in the moving final chapter.

The narrative structure is very clever and in a funny way prepares and disarms you for what comes next. It's a bit cinematic and I read that Roy also did compose some screen plays but she also trained as an Architect which you can also see in the craft of the work.

Some of the most significant and saddest happenings in the book take place almost in a flash but their impact is huge.
There is so much in this book I could write and talk about it for hours. It reminds me a little of Franzen in its witty/sad/informed narrative of human relationships and societal structures.
In some ways not a surprise that Arundhati Roy has not written a major piece of fiction since. Testament to her humanity though that she has committed herself to activism and raising awareness for the Indian peoples.

Saturday, 3 October 2009

Crash - not for the faint hearted.


"An extreme metaphor for an extreme situation" Ballard writes in the foreword of the edition I read - too true. A brilliantly written but disturbing and towards the end pretty gruesome tour around a male psyche and sexuality.
In some ways it is more poetic than prose with a lot of repetition of phrases and words: pubis, mucus, semen get a lot of coverage! There is a lot of repetition in JGB's work. And it has a very dream-like feel to it.
Knowing about the time of JGB's life he was also working through issues in his own head - losing his wife in a freak accident, bringing up 3 young kids himself. The main protagonist/narrator is actually called James Ballard.
But it is more than that - it actually takes quite a radical approach to the novel. It reminded me a little of Becket's novels digging deeper and deeper into what it means to be human - the juxtaposition of sex and death.
The "villain" Vaughan is a precursor to the charismatic dodgy guys that populate his later novels. I got a sense of him being the other part of the character of Ballard - a la Fight Club.
The explicit nature of the sex is paralleled with the detail of the crashes - in a sense they are interchangeable.
So a difficult read but worthwhile and another indication of the great loss suffered with the death of JGB this year.

Tuesday, 8 September 2009

Return of the Samurai.




With all the exaggerated talk of an economic recovery sounding more and more like an alcoholic convincing himself he's kicked the habit and can just have a couple of drinks there are some pretty significant happenings out east, far east which undermine the whole picture.

It should be noted the first foreign leader that Obama chose to meet was the PM of Japan, Aso on February 24th of this year. Even though he was a lame-duck leader who was going to lead the LDP to its worst result in its history a near wipeout for a party that had run the country for nearly 50 constant years. The reason was, of course, economic Japan holds a massive amount of US Bonds -second only to China- thus supporting the massive debt which American capitalism has.

This has lead to a lot of resentment by buying dollars they are adding to their problems by strengthening their own currency. This means that exports - a critical part of their economy - are weakened. Sony made their first loss for 14 years. The economic turmoil largely led to the defeat of the LDP the only other time they have lost power very briefly was in response to the recession of the early 90s which its domestic economy has never fully responded to.

Although the new PM Hatoyama is an establishment figure his financial advisers took a much more strident approach to the US - this was also reflected in some foreign policy pronouncements. For example reviewing the US military bases on the islands. Concretely they want to promote Samurai bonds based on yen - more importantly they want America to buy them so that Japan is not so reliant on the dollar.

The Finance spokesman for the new governing party the DPJ wants to promote other bonds as reserve including IMF and Samurai bonds. Obviously the current situation suits the US as they remain the world's reserve currency everyone has to come and buy them. This in turn finances its debt. So will the new government push US capitalism on this issue? This will have a bigger impact on global recovery than a lot of the superficial stories appearing in the British press. There is speculation that this is just nationalist rhetoric for the election and this wont materialise.
Indeed it seems that the Finance spokesman who promoted this policy :Masaharu Nakagawa may be being sidelined with veteran politician Fujii aged 77 likely to get the job. This shows the issue may not be live for a while but it is definitely one to watch if/when the economy goes down again.

Monday, 7 September 2009

The Fall - Albert Camus


A challenging read. More of a philosophical tract than a novel and though it is only 100 pages long it contains more ideas than most writers deal with in their whole career,
Ostensibly I read this because it followed the same structure as the Reluctant Fundamentalist (which I think is influenced by it) a onesided monologue in a supposed conversation.
Rather than develop a plot though Camus uses this device to discuss different aspects of human existence: sex, death, law, justice, morality, religion.
A few points really stuck with me - the narrator is a French lawyer who uses his calling of helping others as his fulfillment - this is how he feels alive. It builds his arrogance - he likes to be above everyone else physically and feeds his debauchery. Once this is challenged though his spiral (or fall I guess) is pretty sudden. He is found in a sleazy bar in Amsterdam - the atmosphere of which is very well written.
There is an interesting intro in my edition that the book is partially an outline of the dispute between Sartre and Camus - an expression of Camus' disillusionment with theLeft. This is reflected in the tone and barbed asides. Though Sartre did praise the work as the meaningless of the narrator's existence does chime with elements of his philosophy.
You can aso see why Mark E Smith stuck with the name of the Fall- the anti-hero in a bar is a Mark-e archetype.
A wee review like this cannot do this justice - academic careers have probably been built writing about this. I will keep this book handy though and will re-read it.

Sunday, 23 August 2009

A Fraction of the Whole: Review



Fasting men survive , starving men die.

One of the many memorable phrases in this very enjoyable sprawling Oz family saga. Very well written in its turn of phrase - metaphor and simile (overdoes these a little - bit Blackadder-esque) and narrative structure - using monlogue, letter, journal and more conventional dialogue. It also has very strong characters.

Over 700 pages long - which I note is mentioned in several reviews and it could probably lose about 100 of them - gets a bit diverted in places.

Also very moving in its depiction of father -son relationship - speaking as both!
There is something missing from it though stopping it being a truly modern great. I am not sure what but think it is lacking a bit in context. Set in Australia it does try and make a comment on that society: obsession with sport, crime, Murdoch like characters, the link with Asia and asylum policy. Though there is only a passing reference to the Aboriginal issue - perhaps that is reflective of Oz society.

Yet I dont think it is fully developed - if you compare it with Franzen who explores dysfunctional families within a broader American context then it falls short. Some interesting philosophical arguments to.

So, very readable and a big achievement, Read it over a relative short space of time for book of this length - but think he may have a sharper novel within him.

Monday, 17 August 2009

Turn East for Culture 09.



At weekend spent a couple of days over at Ed Fringe Fest for mish-mash of artistic performances. City very busy and usual chaos at bigger venues with overpriced bevvy - Tattoo was also on this time. But ticketing system worked very well compared to last year. My tip would be to anyone - buy all your tickets online even for wee venues (maybe especially for that).

Anyway breaking it down into artistic form

Theatre: Ended up seeing two double header plays - ie with just two actors: David Mamet's Oleanna and Tennessee William;s Auto -da - Fe. Both in pretty small venues but both sold out.
Never seen Oleanna before although I had heard about it. It centres around accusations of sexual harassment/misogyny(!) against an arrogant University lecturer (!!)from female student. It was very good and quite intense over a continual 90 minutes - same set of his office for 3 Acts. Partially it was about a study of language, power and lack of empathy/understanding for other people. It has a very polarised dynamic as a piece - male lecturer dominates in one part then female student. It asks a lot of the cast - it was probably a wee bit too much for the female lead -who was quite young: not entirely convincing though the guy was very good though both in his smugness and the crumbling of his position and the undercurrent of violence. Another interesting factor was that the production came from Zimbabwe and each actor was a different race- this was not fully developed (wasnt issue in original production) but obviously an undercurrent throughout. They were Pumpkin Pie Productions - an engrossing 90 mins - worth a look.

The Williams piece was a one act play from late in his career. Set in the South, where else, it covers a fairly tense conversation between man and his mother on the porch of their Southern villa. Covers all TW's usual themes: sex, repressed homosexuality, heat, fire and a bit more heat and a little more sex. This was excellent - 30 minutes flew by - both actors here (Americans) delved completely into the piece: showed themselves as very experienced. Although short for the theatre - not slight - a bit like a good poem, he added pompously! Poor flyer for the show though but apart from that highly recommended Location wise, it was just a wee room in the Radisson Hotel - a thing i like about the Fringe is the imagination given to venues - just converted into a studio theatre for the month.

Visual Art: Checked out a free show at the Ingleby Gallery - nice venue never been there before - good lighting. Show of Calum Innes an abstract expressionist was pretty disappointing though.
It was basically a set of large coloured squares halved with different colours in each and sort of blended together in the middle. All "Untitled" - sparked debate about whether u can get away with using untitled in any other artistic media. So not a lot to it - looked like he had developed a new artistic technique and was just experimenting with it over and over: so not really an exhibition at all.

Comedy: I'm always a little selective with the comedy i choose to see in Edinburgh there is so much garbage with identikit posters for identikit boys in suits telling anecdotes about moving in with their girlfriend - desperately searching for a place on a panel show on Men and motors or something. But hit the jackpot twice here - Andrew Maxwell an Irish guy who I had only seen wee bits of on tv - he won a channel 4 reality show couple years ago where comedians had to live together and perform a completely different show a night. Good funny relaxed show - master of his craft. Material is not ground breaking but hits the spot and at least takes time to remark about the specifics of Scottish culture. Ridiculously small bar for venue though - there's a bit of Scottish culture for you :-).

Tim Key was a poet who I had spotted on the Charlie Brooker show though apparently he has a big Cambridge Footlights fringe background. Show really good - combination of comedy, poems (again sparked debate whether they were real poems or not) and short films. Bit different and very engaged with audience in a distant way! Annoying heckling woman though - surprisingly little of that at Andrew Maxwell.

Funnily enough both acts finished with two physical displays (different to the preceding shows)- wont give it away by saying what they were.

Misc: Couldnt get into a couple of shows - neither the one on the Mafia nor Eric Morecombe. Had a cheap cocktail at top of Leith Walk. And watched the Celts first game of the season in Haymarket pub - usually a Jambo haunt.

So to finish this indepth analysis Ill revert to type and place an East coast stereotype at top of blog..

Monday, 3 August 2009

2 reviews: The White Tiger and Mother Night.





Summer reading kicking in so here are two more reviews posted in some form on Facebook.
Bleak. An examination of the duplicity of an American Nazi who was also a spy.

Very well written and explores why Nazism triumphed amongst people - as we all come from Mother Night - the Darkness. So the spy has no heroism or any belief. Reflected also in America's justification for fighting - personified in the pathetic soldier O'Hare who sees it as his mission to track down Campbell after capturing him originally as a Nazi.

The human exception to this is his relationship where he wants to create a nation of two - "Das Reich der zwei" - an escape from the world.
As the fate of the two show - the work is dictated from Campbell's cell in Israel as he faces a war crimes tribunal this escape is a pipe dream.
It also works well as an expose of the sections of post-war American society that were attracted to the Nazi right - a faint echo of Roth's plot against America.
So a lot to think about in quite a brief piece - it is quick to read. But actually more brutal in its view of humanity than Slaughterhouse 5 so not easy. Made into movie too with Nick Nolte - may try and track that down.